“๐Ÿ’ž๐ŸŽบ๐ŸŽผ๐‘€๐‘ข๐‘ ๐‘–๐‘ ๐‘”๐‘–๐‘ฃ๐‘’๐‘  ๐‘Ž ๐‘ ๐‘œ๐‘ข๐‘™ ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘ข๐‘›๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ ๐‘’, ๐‘ค๐‘–๐‘›๐‘”๐‘  ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘š๐‘–๐‘›๐‘‘, ๐‘“๐‘™๐‘–๐‘”โ„Ž๐‘ก ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘–๐‘š๐‘Ž๐‘”๐‘–๐‘›๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘™๐‘–๐‘“๐‘’ ๐‘ก๐‘œ ๐‘’๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘กโ„Ž๐‘–๐‘›๐‘”.๐ŸŽท๐ŸŽป๐ŸŽน๐ŸŽผ๐ŸŽธ๐ŸŽผ๐Ÿ“ฏ๐ŸŽผ๐Ÿ’ž”

 

“๐ŸŽบ๐ŸŽผ๐‘€๐‘ข๐‘ ๐‘–๐‘ ๐‘”๐‘–๐‘ฃ๐‘’๐‘  ๐‘Ž ๐‘ ๐‘œ๐‘ข๐‘™ ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘ข๐‘›๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ ๐‘’, ๐‘ค๐‘–๐‘›๐‘”๐‘  ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘š๐‘–๐‘›๐‘‘, ๐‘“๐‘™๐‘–๐‘”โ„Ž๐‘ก ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘–๐‘š๐‘Ž๐‘”๐‘–๐‘›๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘™๐‘–๐‘“๐‘’ ๐‘ก๐‘œ ๐‘’๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘กโ„Ž๐‘–๐‘›๐‘”.๐ŸŽท๐ŸŽป๐ŸŽน๐ŸŽผ๐ŸŽธ๐ŸŽผ๐Ÿ“ฏ๐ŸŽผ๐Ÿ’ž” 






๐Ÿ’ž๐ŸŽผ Music, as language, is a universal human trait. Throughout human history and across all cultures, people have produced and enjoyed music. Despite its ubiquity, the musical capacity is rarely studied as a biological function. Music is typically viewed as a cultural invention. The evidence bearing on the biological perspective of the musical capacity is reviewed. Related issues, such as domain-specificity, innateness, and brain localization, are addressed in an attempt to offer a unified conceptual basis for the study of music processing.The study of the biological foundations of music by bringing together the fields of genetics, developmental and comparative research, neurosciences, and musicology. ๐ŸŽผ๐ŸŽบ๐ŸŽป๐ŸŽท๐ŸŽธ๐Ÿฅ๐ŸŽน๐ŸŽผ๐Ÿ’“







Santoshkumar B Pandey at 11.50Am.





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